TOOL CLAIMS #1 SPOT ON BILLBOARD TOP 200 AS FEAR INOCULUM REIGNS OVER WORLDWIDE CHARTS
“The album that hard rock devotees will be poring over for years…” – Billboard
“… Fear Inoculum was worth the 13 year wait… This record gets the whiplash intensity that the band brings live.” – NPR
“Fear Inoculum is a masterpiece to be dissected for years to come…” – Revolver
“…a languid and blissful work…” 5 Stars. – NME
“Fear Inoculum lives up to its daunting expectations with songs that showcase TOOL in peak performance…” – Consequence of Sound
“…deeply satisfying…” – Entertainment Weekly
Sept. 8, 2019, LOS ANGELES – TOOL celebrates their third consecutive #1 debut on Billboard’s Top 200, with Fear Inoculum (RCA Records) reigning over the U.S. sales charts, selling 270,000 units.
The news of Fear Inoculum’s impressive debut comes amidst news stories of the album release being met by lengthy lines at retailers as music lovers clamored to get a copy of the limited edition, physical version of the CD. The spectacular, groundbreaking packaging boasts a 4” HD rechargeable screen with exclusive video footage, charging cable, 2 watt speaker, a 36-page booklet and a digital download card. The Coalition of Independent Music Stores (CIMS) released a rare statement, describing the event-like album release: “Several stores had well-attended midnight sales on Thursday (it was my store’s first midnight sale in 10 years). When we returned to work on Friday morning, there were lines at the door… the TOOL release was the biggest thing to hit retail in years.”
The success wasn’t isolated to the U.S., with the album debuting at #1 in Australia, Norway, New Zealand, and Belgium, as well as Top 5 debuts in the UK, Germany, The Netherlands, Ireland, Italy and Finland.
Critically, the album was met with equal enthusiasm. NPR proclaimed “Fear Inoculum was worth the 13-year wait,” NME awarded the 10-track offering a perfect 5 star score, The Atlantic dubbed it “precise and devastating,” Revolver declared it “a masterpiece that will be dissected for years to come” and Entertainment Weekly said the collection is “deeply satisfying, both as a distinct artistic statement and as accidental fan service to a base that expects nothing less than unflinchingly unique artistic statements.”